click on bold exhibition listings to see installation view
INGRID CALAME
Lives and works in Los Angeles, CA
Education
1996 California Institute of the Arts, MFA, Valencia, CA
1995 Skowhegan School of Painting and Sculpture, Skowhegan, ME
1987 State University of New York at Purchase, BFA, Purchase, NY
1986 Junior Semester Abroad, Tyler School of Art in Rome, Rome, Italy
1985 Junior Semester Abroad, State University of New York College at Buffalo, Siena, Italy
Solo Exhibitions
2016 "Drawings from the Stuftung Zollverein," Galerie Anke Schmidt, Cologne, Germany
2014 “Tracks,” James Cohan Gallery, New York, NY
2013 “Tarred Over Cracks”, Project Atrium, Museum of Contemporary Art Jacksonville, Jacksonville, FLA
“Indianapolis Motor Speedway #4, #9, #7”, Savannah College of Art and Design Museum, Savannah, GA
“Numbers, Cracks, Words”, Gallery Schmidt Maczollek, Cologne, Germany
2012 “From the LA River to Lackawanna," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2011 “Ingrid Calame," Fruitmarket Gallery, Edinburgh, Scotland
2010 “Ingrid Calame: In Process," Monterey Museum of Art, Monterey, CA
“Ingrid Calame: Swing Shift," James Cohan Gallery, New York, NY
2009 “Step on a Crack, Break Your Mother’s Back," Frith Street Gallery, London, UK
"Step on a Crack," Albright-Knox Gallery, Buffalo, NY
2008 “Dangerous Curves," Galerie Schmidt Maczollek, Cologne, Germany
2007 “Ingrid Calame: Constellations," James Cohan Gallery, New York, NY
“Ingrid Calame: Traces of the Indianapolis Motor Speedway, Forefront Series," Indianapolis Museum
of Art, Indianapolis, IN
2006 “Swing Space, Wall Works," Art Gallery Ontario, Ontario, Canada
“Ramp Project: Ingrid Calame," Institute of Contemporary Art, Philadelphia, PA
2005 “Ingrid Calame: New Drawings," James Cohan Gallery, New York, NY
“Ingrid Calame," pkm, Seoul, Korea
2004 “Ingrid Calame," Galerie Rolf Ricke, Cologne, Germany
“Ingrid Calame: Secular Response 2 A.R.," Kunstverein Hannover, Germany
2003 “Ingrid Calame: Secular Response 2 A.M.," Museum of Contemporary Art Clevealnd, Cleveland, OH
“Ingrid Calame," James Cohan Gallery, New York, NY
2002 “Ingrid Calame," Karyn Lovegrove Gallery, Los Angeles, CA
“Vvwpt?," Galerie Rolf Ricke, Cologne, Germany
2001 “Ingrid Calame: Paintings," Il Capricorno, Venice, Italy
2000 “Ingrid Calame: Paintings," Karyn Lovegrove Gallery, Los Angeles, CA
"Ingrid Calame: Drawings," Karyn Lovegrove Gallery, Los Angeles, CA
“Twlsptptpptptsl...," Deitch Projects, New York, NY
“Ch-B-dd, ch-B-dd, ch-B-dd," Galerie Peter Kilchmann, Zurich, Switzerland
1999 “Ingrid Calame, Il Capricorno," Venice, Italy
“Ingrid Calame," Karyn Lovegrove Gallery, Los Angeles, CA
1998 “Ingrid Calame," Galerie Rolf Ricke, Cologne, Germany
“Ingrid Calame," Rosamund Felson Gallery, curated by Steven Hull, Los Angeles, CA
1997 “Poonk FOOP," Four Walls, San Francisco, CA
“Spalunk...," POST, Los Angeles, CA
1995 "KAPOW!," Michael Beauchemin Gallery, Boston, MA
1992 Solo Show, Tower Gallery
Public Art and Site-Specific Installations
2016 Metro Art, Los Angeles County Transportation Authority, Los Angeles, CA
$52,800 budget to design a glass pavillion for new Leimert Park subway station
2015 NYC Percent for Art, Westchester Square Library, New York, NY. Invited Finalist
2014 Brookfield Properties Headquarters, New York, NY
$150,000 for a pigment wall drawing created on three floors of main stairwell
NYC Percent for Art 75 Morton Street Public School, Invited Finalist
“Tracks,” James Cohan Gallery, New York, NY
2013 “Tarred Over Cracks”, Project Atrium, Museum of Contemporary Art Jacksonville, Jacksonville, FLA
“Indianapolis Motor Speedway #4, #9, #7”, Savannah College of Art and Design Museum, Savannah, GA
“Numbers, Cracks, Words”, Gallery Schmidt Maczollek, Cologne, Germany
2012 “LA River at Clearwater Street 2006-8 #2," Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
2011 “LA River at Clearwater Street 2006-8,” Fruitmarket Gallery, Edinburgh, Scotland
Art Production Fund, After Hours Roll up Doors on the Bowery, New York, NY
Designed a painting for a security rollup door
2010 “Ingrid Calame: Perry Street Projects Wading Pool #2," Monterey Museum of Art, Monterey, CA
"Perry Street Projects Wading Pool #1," James Cohan Gallery, New York, NY
"ArcelorMittal Steel No 1 Shipping 192-208," Albright-Knox Gallery, Buffalo, NY
2007 “Ingrid Calame: Traces of the Indianapolis Motor Speedway, Forefront Series," Indianapolis Museum of Art, Indianapolis, IN
2006 “Ingrid Calame: Secular Response 3A, Swing Space Wall Works- " Art Gallery Ontario, Ontario, Canada
“Ingrid Calame: Frog Town Turf War, Ramp Project-" Institute of Contemporary Art, Philadelphia, PA
2005 “Secular Response 2B," pkm, Seoul, Korea
2003 San Diego New Main Library, Commission for Arts and Culture, San Diego, CA (building put on hold)
$200,000 budget for a designing and fabricating a ceiling painting
2001 "Secular Response 1D," Aspen Art Museum, Aspen, CA
2000 “Secular Response 1A,” Deitch Projects, New York, NY
“Secular Response 1B,” Hammer Museum, Los Angeles, CA
“Secular Response 1C," Galerie Peter Kilchmann, Zurich, Switzerland
1998 “URfff…f…f," Rosamund Felson Gallery, curated by Steven Hull, Los Angeles, CA
Group Exhibitions
2016 “Drawings”, Galerie Anke Schmidt, Cologne, Germany
2015 “Depth Charge/ Abstracted Frameworks”, Durden and Ray, Los Angeles, CA
2014 “Silver, Works by Gallery Artists 1989 – 2014,” Frith Street Gallery, London, UK
“Works on Paper: 1963-2013,” Galerie Schmidt Maczollek, Cologne, Germany
“Another Cats Show,” 356 S. Mission Rd, Los Angeles, CA
“Kaz Oshiro: Chasing Ghosts”, Charles White Elementary School, LACMA, LA
2013 “Gulf”, Center Gallery, Fordham University at Lincoln Center, New York, NY
"Ingrid Calame Drawings and Mark Strand Collages, Madrid and New York," James Cohan Gallery, Shanghai, China
2012 “Paved Paradise,” DC Moore Gallery, New York, NY
“The Map as Art,” Kemper Museum of Contemporary Art, Kansas City, MO
“Pour,” Florida Atlantic University, Boca Raton, FLA, traveled to Asya Geisberg Gallery, New York, NY
and Lesley Heller Workspace, New York, NY
2011 "The Indiscipline of Painting," Tate St Ives, St Ives, UK
*Traveling to Mead Gallery, Warwick Art Center, Warwick, UK
“After Hours: Murals on the Bowery," Art Production Fund, New York, NY
"Ginny Bishton, Ingrid Calame and Scott Short," Christopher Grimes Gallery, Santa Monica, CA
“Systems Check," Thames Art Gallery in Chatham, Ontario, Canada
“Roller Shutter Project," The Art Production Fund with The New Museum, New York, NY
2010 “softcore HARD EDGE," The Art Gallery of Calgary, Calgary, Alberta, Canada
“New Editions: Ingrid Calame, Tara Donovan, Robert Mangold, Julie Mehretu, Robert Ryman, Pat Steir and Dan Walsh," Pace Prints Chelsea, New York, NY
"Mapping: Memory and Motion in Contemporary Art," Katonah Museum of Art, Katonah, NY
2009 “Spatial Relations: Recent Editions from Pace Prints, Alexander Hall," Savannah College of Art and Design, Savannah, GA
“Don’t Panic! I’m selling my collection," Rental, New York, NY
“With You I Want to Live: An Exhibition of Paintings, Sculpture and Photographs from the Collection of Gordon Locksley + George T. Shea and Francie
Bishop Good + David Horvitz," Museum of Art: Fort Lauderdale, Nova Southeastern University, Fort Lauderdale, FL
“Controlled Abstraction: Ingrid Calame, Katia Santibañez, Pat Steir," Pace Prints, New York, NY
2008 “Wall Rockets: Contemporary Artists and Ed Ruscha," The Flag Art Foundation, New York, NY,
*Traveled to Albright Knox Gallery, Buffalo, NY
“Person of the Crowd: The Contemporary Art of Flânerie," Neuberger Museum of Art, Purchase, NY
“Mining Nature," James Cohan Gallery Shanghai, Shanghai, China
"Sehnsucht (Aspiration)," Light and Sie Gallery, Dallas, TX
“The Prom," LAWRIMORE Project, Seattle, WA
2007 “Lust for Life: Die Sammlung Ricke," Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
“Something about Mary," Orange County Museum of Art, Newport Beach, CA
“New Directions in American Drawing," The Columbus Museum, Columbus,GA,
*Traveled to Jepson Center for the Arts, Savannah, GA, and Knoxville Museum of Art, Knoxville, TN
“Landscape at the Limit," curated by Jonathan Stuhlman, Second Street Gallery, Charlottesville, VA
“Size Matters: Large-Scale Drawings from the MFAH Collection," Museum of Fine Arts, Houston, TX
“Cosmologies," James Cohan Gallery, New York, NY
2006 “About Painting," Paraplufabriek, Nijmegen, The Netherlands
"Drawings," Frith Street Gallery, London, England
"Hotel California," Glendale College Art Gallery, Glendale, CA
2005 “Devil’s Punchbowl," curated by Katharina Grosse, Christopher Grimes Gallery, Los Angeles, CA
“Swing Space: Wall Works," Art Gallery of Ontario, Toronto, Ontario
“In the Abstract," Angles Gallery, Los Angeles, CA
“Contemporary American Art from Misumi Collection," Tottori Prefectural Museum, Tottori, Japan
“Curb Appeal," The Confederate Centre Art Gallery, Charlottetown, Prince Edward Island, Canada
“Extreme Abstraction," Albright-Knox Art Gallery, Buffalo, NY
“Around About Abstraction," Weatherspoon Art Museum, Greensboro, NC
“Sweet Temptations," Kunstmuseum St. Gallen, St. Gallen, Switzerland
“Dating Data," Josée Bienvenu Gallery, New York, NY
“Group Exhibition," James Cohan Gallery, New York, NY
2004 “Topographies," San Francisco Art Institute, San Francisco, CA
“Painting Identities/Pintando Identidades," Pilar Parra Galería de Arte, Madrid, Spain
"Ingrid Calame / Mathilde ter Heijne / Jörg Wagner," Kunstverein Hannover, Germany
“Between the Lines," James Cohan Gallery, New York, NY
2003 “Crosscurrents at Century’s End," Henry Art Gallery, University of Washington, Seattle, WA
*Traveled to: the Norton Museum of Art, West Palm Beach, FL; Tampa Museum of Art, Tampa, FL; Chicago Cultural Center, Chicago, IL
“Sehnsucht des Kartografen (The Desire of the Cartographer)," Hannover Kunstverein, Germany
“Painting: Four Propositions," Rose Art Museum, Brandeis University, Waltham, MA
“Schokolade, was denn sonst. sammlung rolf ricke," Kunstraum Innsbruck, Innsbruck,Germany
“Painting Pictures, Malerei und Medien im digitalen Zeitalter," Kunstmuseum Wolfsburg, Wolfsburg, Germany
2002 “Einfach Kunst, Sammlung Rolf Ricke," Staatliches Museum fur Kunst und Design in Nurnberg, Germany
"Officina America," Galleria d'Arte Moderna Instituzione del Comune di Bologna, Bologna, Italy
“Painting Matter," James Cohan Gallery, New York, NY
“We Love Painting," American Contemporary Art from the Misumi Collection, Museum of Contemporary Art, Tokyo, Japan
2001 “Künstlerräume/Sammlerräume," Kunstverein St. Gallen Kunstmuseum,St. Gallen, Switzerland
“Drawings," Frith Street Gallery, London, England
“Wallworks: Ingrid Calame and Paul Morrison," Aspen Art Museum, Aspen, CO
2000 "Whitney Biennial 2000," Whitney Museum of American Art (New York, NY)
"Glee," The Aldrich Museum of Contemporary Art, Ridgefield, CT
*Traveled to Palm Beach Institute of Contemporary Art, Palm Beach, FL
"Painting as Memory – the Memory of Painting," Aargauer Kunsthaus Aarau, Aarau, Switzerland
"C.O.L.A. 2000," UCLA/Hammer Museum, Los Angeles, CA
"Der Abgelenkte Blick Malerei," Helmhaus Zurich, Zurich, Switzerland
"Body of Painting" - Günter Umberg, Museum Ludwig, Cologne, Germany
"The Next Wave - New Painting in Southern California," California Center for the Arts, Escondido, CA
1999 “Colour Me Blind! Malerei in Zeiten von Computergame und Comic," Württembergischer Kunstverein, Stuttgart, Germany
*Traveled to Städtische Ausstellungshalle Am Hawerkamp, Munich, Germany, and Dundee Contemporary Arts, Dundee, Scotland
“MORGENROT," Galerie Rolf Ricke, Cologne, Germany
“Color Volume," Kunstallen Brandts Klædefabrik, Odense, Denmark
“Negotiating Small Truths," Jack S. Blanton Museum of Fine Arts, University of Texas at Austin, Austin, TX
“Drawing," Emily Tsingou Gallery, London, England
“Fact or Fiction: New York," Galleria in ARCO, Turin, Italy
“Special Offer," Kasseler Kunstverein, curated by Rolf Ricke, Kassel, Germany
“New Paintings from L.A.," Galerie Peter Kilchmann, Zurich, Switzerland
“Postmark: An Abstract Effect," SITE Santa Fe, NM
“The New Collage," Pamela Auchincloss, New York, NY
“Painting in the 80's & 90's," curated by Christian Nagel & Alexander Schröder,INIT-Kunsthalle, Berlin, Germany
"The Orange County Biennial," Orange County Museum, Orange County, CA
“Color Fields," curated by David Pagel, Harriet & Charles Luckman Fine Arts Complex California State University, Los Angeles, CA
“Local Color," curated by Virginia Rutledge, The Harris Art Gallery,The University of La Verne, La Verne, CA
“Beyond the Millennium: Artists Choose Artists from the 21st Century," Brattleboro Museum & Art Center, Brattleboro, VT
“The Mourning After," Barnsdall Municipal Gallery, curated by Suzette Min, Los Angeles, CA
“Color Theory," College of Visual Arts Gallery, Saint Paul, MN
1998 “Selections Winter '98," The Drawing Center, New York, NY
“Painting from Another Planet," Deitch Projects, New York, NY
“Abstract Painting Once Removed," Contemporary Arts Museum, Houston, TX
*Traveled to the Kemper Museum, Kansas City, MO
“Obviously 5 Believers," curated by Brian Olson, Action: Space, Los Angeles, CA
“Beyond the Matter of Space," curated by John Geary, Beyond Baroque, Venice, CA
“Contact," curated by Joan Hugo, the Brewery Project, Los Angeles, CA
“Painting Language," LA Louver, Venice, CA
“From Here to Eternity," Max Protetch, New York, NY
“Drawings," curated by Jeff Blum and Tim Poe, Beyond Baroque, Los Angeles, CA
“Hot RRRod - Eine Kunstausstellung," Forum Stadtpark, Graz, Austria
“Limits," The Dollhouse Gallery, Los Angeles, CA Sig-alert, Arizona State University Art Museum, Tempe, AZ
“The Back Room," Galerie Rolf Ricke, Cologne, Germany
1997 “Huge Garage Sale," the MAK Center for Art and Architecture, Los Angeles, CA
“Summer Invitational," Curt Marcus Gallery, New York, NY
“Spot Making Sense," curated by David Pagel, Grand Arts, Kansas City, MO
“Recent Pictures," ACME, Los Angeles, CA
“Six Choose Six," Purchase College, State University of New York, Purchase, NY
“Group Show," Muse Restaurant, curated by David Pagel, Los Angeles, CA
“Drawing," Gallery LASCA, Los Angeles, CA
1996 “Some Dumb Fun," curated by David Pagel, Jessie Metcalf Art Gallery, University of Nevada - Las Vegas, Las Vegas, NV
“Francis Alys, Ingrid Calame, Michael Gonzales, Carlos Molura, Bob Zole," ACME, Los Angeles, CA
"After," curated by Carolee Toon, POST Gallery (Los Angeles, CA)
Performances
2016 "Reading Performance of Being Born", Galerie Anke Schmidt, Cologne, Germany
"Reading Performance of Being Born", Barnes and Noble, Flagstaff, AZ
Video Exhibitions
1999 “Dozer," Nothing New Cinema, San Francisco, CA
“Color Volume," Kunsthalle Brandts Klaedefabrick, Odense, Denmark
1997 “First Sight Seen," Film Forum, Los Angeles, CA
1995 “RE: SOLUTION Gallery," Los Angeles, CA
“Gumbo," Art in General, New York, NY
“Showcase ‘95," Raleigh Studios, Hollywood, CA
Selected Writings and Publications
2014 “Blues for Smoke: An interview with Bennett Simpson”, East of Borneo, May 16 2014.
2007 “What’s in your studio, Ingrid Calame?,” Artinfo, September 25, 2007 .
“Rolf + Ingrid = 4-Ever,” contribution to Vitamine, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, (exhibition catalogue),
September 2007.
Contribution to M/E/A/N/I/N/G Online #4, Feminist Forum, 2007, February 2007.
2005 Catalogue Essay, “Elizabeth Cooper”, Galerie Schmidt Maczollek, Cologne, Germany.
2001 Review of Sol Lewitt, Art issues, No. 70, Los Angeles, CA, November/December 2001.
Review of Heidi Kidon, Art issues, No. 69, Los Angeles, CA, September/October 2001.
Review of Morris Louis, Art issues, No. 68, Los Angeles, CA, Summer 2001.
1999 Review of Miriam Dym, Art issues, No. 60, Los Angeles, CA, November/December 1999.
Review of Brad Spence, Art issues, No. 59, Los Angeles, CA, September/October 1999.
Review of David Reed, Art issues, No. 56, Los Angeles, CA, January/February 1999.
1998 Review of Liz Larner, Art issues, No. 54, Los Angeles, CA, September/October 1998.
Review of Sharon Lockhart, LA Weekly, Los Angeles, CA, March 13-19 1998.
Catalogue Essay, "From the Polka Dot Kitchen", Otis College and the Armory, Los Angeles, CA, September 1998.
1997 Catalogue Essay, "The Modernist and the High School Doodle", Michael Anderson, LASCA, Los Angeles, CA Review of
Tom of Finland, Zing Magazine, New York, NY.
Catalogue Essay: "Come Rollick With the Queen",Nancy Davidson, Shoshana Wayne Gallery, Los Angeles, CA
Review of Jennifer Pastor, Flash Art, No. 194, Milan, Italy, May/June 1997.
Review of David Levinthal, Candice Breitz, David McGee, LA Weekly, No. 16, Los Angeles, CA, Vol. 19, May 16-22, 1997.
Review of Jessica Bronson, Flash Art, No. 193, Milan, Italy, March/April 1997.
Review of Liz Young, LA Weekly, No. 16, Los Angeles, CA, Vol. 19, March 13-19, 1997.
Review of Rudolph Stingel, Flash Art, No. 192, Milan, Italy, January/February 1997.
Review of Hall of Mirrors, Flash Art, No. 192, Milan, Italy, January/February 1997.
Review of Elizabeth Pulsinelli, Art issues, No. 46, Los Angeles, CA, January/February 1996.
1996 Review of Garden of Eden on Wheels, LA Weekly, No. 51, Los Angeles, CA, Vol. 18, November 15-29, 1996.
Review of Charles Garabedian, Art issues, No. 45, Los Angeles, CA, November/December 1996.
Review of Ann Chamberlin, Art issues, No. 44, Los Angeles, CA, September/October 1996.
Review of Nancy Monk, Art issues, No. 43, Los Angeles, CA, Summer 1996.
Review of Mitchell Syrop, Art issues, No. 42, Los Angeles, CA, March/April 1996.
1995 Review of Lydia Dona, Art issues, No. 40, Los Angeles, CA, November/December 1995.
Excerpt from "Report on Kapow!”, Exhibition Space, Los Angeles, CA, November 1995.
"Wet Mapping," Time Capsule, New York, NY, September 1995.
Review of Hilja Keading, Art Issues, No. 38, Los Angeles, CA, May/June 1995.
Review of Toba Khedoori, Art Issues, No. 37, Los Angeles, CA, March/April 1995.
Monographs
2016 “Being Born,” Kienbaum Artist Books, Snoeck, Cologne, Germany
2011 “Ingrid Calame:Trace,” with essays by Brian Dillon, Michael Newman, Fiona Bradley and an
interview with Ingrid Calame, Shelby Roberts, Fiona Bradley andElizabeth McLean, Fruitmarket Gallery, Edinburgh, Scotland
“In Process: Ingrid Calame,” with an essay by Dr. Marcelle Polednik, Monterey Museum of Art, Montery, CA
2007 “Ingrid Calame: Constellations,” with essays by Dr. Karen Lang and Pepe Karmel, James Cohan Gallery, New York, NY
2000 “Ingrid Calame,” with an essay by Libby Lumpkin, Deitch Projects, New York, NY
Selected Bibliography
2014 Marking 20 Years: Kemper Museum of Contemporary Art, 2014.
Volk, Gregory, “Ingrid Calame,” Art in America, March, 2014.
“Ingrid Calame,” The New Yorker, January 17, 2014.
“Ingrid Calame: Tracks,” Wall Street International, January 16, 2014.
Baker, R. C., “Surface Surfeit: Ingrid Calame Traces the World,” Village Voice, January 15, 2014.
Jacobs, Karen, “Imaginary Cartographies,” University of Colorado Boulder, Boulder, CO, 2014.
2013 Gulf, Fordham University, 2013
Laluyan, Oscar, “PICTURE THIS: Multi-Tracking with Ingrid Calame,” Arte Fuse, December 16, 2013.
“Ingrid Calame:Tracks,” Time Out New York, December 5, 2013.
“Ingrid Calame,” Art in America, December, 2013.
Patton, Charlie, “MOCA’s new Project Atrium explores ‘the incremental trauma of life’, The Florida Times-Union, November 18, 2013
Einspruch, Franklin, “Oil as Water: POUR at Leseley Heller and Asya Geisberg,” artcritical, September 19, 2013.
Muller, Sabine Elsa, “Ingrid Calame: Numbers Cracks Words,” Stadtrevue, April, pp71-72.
2012 Hatley, Pamela, “Decade: Contemporary Collecting 2002-2012, Albright Knox Gallery,” (exhibition catalog), The
Buffalo Fine Arts Academy, 2012.
“Recent Acquisitions,” My Wag, Fall
“Pour,” (exhibition catalog), Schmidt Center Gallery, Florida Atlantic University, 2012.
“Ingrid Calame, ‘Tracks’”, Time Out New York, December 5, 2012.
Gaskin, Sam, “Q&A: Ingrid Calame,” TimeOut Shanghai, December 12, 2012.
Thorson, Alice, “Maps from around the world inspire works in Kemper Museum’s Exhibitionn,
The Kansas City Star, October 5, 2012.
Plagens, Peter, "The Edge of a New Frontier," Wall Street Journal, January 24, 2012.
Pagel, David, "Re-shaping solid ground," Los Angeles Times, January 13, 2012, (color photo).
2011 Bradley, Fiona, “Introduction,” Ingrid Calame:Trace, Fruitmarket Gallery, Edinburgh, Scotland, 2011.
“Interview: A conversation between Ingrid Calame, Shelby Roberts, Fiona Bradley and Elizabeth Mclean,” Ingrid Calame:Trace, Fruitmarket Gallery,
Edinburgh, Scotland, 2011.
Newman, Michael, “Body, Trace, Event,” Ingrid Calame:Trace, Fruitmarket Gallery, Edinburgh, Scotland, 2011.
Dillon, Brian, “Constellated, Ingrid Calame:Trace, Fruitmarket Gallery, Edinburgh, Scotland, 2011.
Broadworth, Jordan, “Systems Check” (exhibition catalogue), Thames Art Gallery, Chatham, Ontario, Canada.
Green, Alison, "Ingrid Calame" in "The Indiscipline Of Painting" (exhibition catalog), ed. Martin Clark, Sarah
Shalgosky & Daniel Sturgis, Tate Publishing, London, UK.
Hatley, Pam and Martin, Pamela, “Albright-Knox Art Gallery Highlights Of The Collection,” The Buffalo Fine Arts
Academy and Sacla Publishers Ltd.
Myers, Terry R., "The Agility of Abstraction," in "The Indiscipline Of Painting" (exhibition catalog), ed. Martin Clark,
Sarah Shalgosky & Daniel Sturgis, Tate Publishing, London, UK.
Charnock, Anne, “Abstract Painting Survives Its High Anxieties," Huffington Post, November 11, 2011.
Holmes, Troy, “Ingrid Calame: a simple request from a dynamic artist," The Journal Edinburgh, October 5, 2011.
McLean_Ferris, Laura, "A more profound kind of pavement artist," The Independent, United Kingdom, October 9, 2011, (color photo).
Herbert, Martin, "Now See This," Art Review, Summer 2011, p 43 (color photo).
Miller, Ben, "The Edinburgh Art Festival Packs Schedule in Eighth Year," Culture 24, August 2011.
"Talking Points," Harper's Bazaar, August 2011, (color photo).
Macmillan, Duncan, "Making Her Mark," The Scotsman, Scotland, August 16, 2011, (color photo).
Urwin Jones, Sarah, "Magic and Gloss," The Herald, Scotland, August 14, 2011, (color photo).
Black, Catriona, "A Fresh Slant," The Sunday Herald, Scotland, August 14, 2011, (color photo).
Cumming, Laura, "Edinburgh Festival," The Observer, Edinburgh, August 14, 2011, (color photo).
Doubal, Rosalie, "Outdoor Pursuits," The List, United Kingdom, August 4-11, 2011, (color photo).
Darwent, Charles, "The Streets Are Paved With Marble, The Rest Is Solid Gold," The Independent, United
Kingdom, August 7, 2011, (color photo)
Helfand, Glen, "Ingrid Calame: Monterey Museum of Art, La Mirada," Artforum, February 2011.
Baker, Kenneth, “Ingrid Calame’s 1st solo show traces LeWitt’s steps," San Francisco Chronicle, January 6, 2011.
Wood, Eve, “January 2011 Artist Profile: Ingrid Calame," Art ltd, January 2011.
Smith, Keri, “How To Be an Explorer of the World: Portable Life Museum,” New York: Penguin Books, 2011.
2010 Elder, Marianne and Pagel, David, "softcore, HARD EDGE" (exhibition catalogue), The Art Gallery Of Calgary, Calgary, Alberta.
Schor, Mira, “Some Notes on Women and Abstraction," A Decade of Negative Thinking, Essays on Art,Politics and Daily Life, Duke University Press,
Durham and London, pp. 98-100 (photo).
Davidson, Maureen, “The Exhibitionist: Ingrid Calame," SantaCruz.com, December 15, 2010.
Wilner, Paul, “Massive Canvas," Monterey County Weekly, October 28, 2010.
Welling, James, “Ingrid Calame in Conversation with James Welling," East of Borneo, October 26, 2010.
Apter, Seth, "Ingrid Calame's Swing Shift at James Cohan Gallery," Near Say, October 4, 2010.
"Ingrid Calame," The New Yorker, September 27, 2010, p14.
"Art: Ingrid Calame," Time Out New York, September 20, 2010.
Stanciu, Adriana, "Ingrid Calame at James Cohan Gallery," Metrolic, September 10, 2010.
Ayers, Robert. “On the fingers of one hand: the best of this week’s new gallery shows," AskyFilledWithShootingStars.com, September 8, 2010.
Shuster, Robert. “Trace Elements," The Village Voice, September 1, 2010.
“ Buffalo’s Past Rises on Walls of Albright-Knox," The Daily News Online.com, February 9, 2010.
Polednik, Marcelle, In Process: Ingrid Calame, Monterey, CA: Monterey Museum of Art, 2010.
2009 Clemans, Gayle, “Ingrid Calame, Constellations of Residue," from "The Map as Art: Contemporary Artists Explore Cartography" ed Katherine Harmon,
Princeton Architectural Press, NY.
Castro, Elena, "Ingrid Calame at Frith Street Gallery," Art Slant, June 18, 2009.
Macnair, Jennifer; "The Broad Contemporary Art Museum at the Los Angeles County Museum of Art 2008, ed. Thomas Frick and Nola Butler, Los Angeles
County Museum of Art.
Harmon, Katharine, “The Map As Art: Contemporary Artists Explore Cartography," Princeton Architectural Press, September 23, 2009.
Dabkowski, Colin, “Traces of the Past," The Buffalo News, October 4, 2009.
“How I Draw: Ingrid Calame," The Guardian & The Observer Guide to Drawing, September 2009, London, UK.
2008 Meyer-Stoll, Christiane, ed., "Sammlung Rolf Ricke" (exhibition catalog), Kunstmuseum Liechtenstein, Liechtenstein, Hatje Cantz: Ostfildern,
Germany (color photos).
Thornton, Sarah, “The Crit”, Seven Days in the Art World, W. W. Norton and Company, (New York, London),p 64.
Kisters, Jürgen, “Eine Rennstrecke als Vorbild der Malerei," Kölner Stadt-Anzeiger, No. 117, May 21, 2008.
Smith, Keri, How To Be an Explorer of the World: Portable Life Museum, Penguin Books Ltd: NY, NY, May 2008. (p 123).
Hughes, Jeffrey, “Ingrid Calame Indianapolis," Art Papers, January 2008.
2007 Portis, Ben, “Ingrid Calame," Wallworks (exhibition catalogue), Art Gallery of Ontario, Toronto, Ontario, Canada.
Lang, Karen, “Ingrid Calame’s Constellations,”Ingrid Calame: Constellations, James Cohan Gallery, New York, NY, 2007.
Karmel, Pepe“Ingrid Calame’s Constellations,”Ingrid Calame: Constellations, James Cohan Gallery, New York, NY, 2007.
Wicks, Stephen C., “New Directions in American Drawing” (exhibition catalogue), Columbus Museum, Columbus, Georgia, pp19-20 (color photo).
Knight, Christopher, “45 Painters under 45," Los Angeles Times, December 2, 2007, (color photo).
Somerstein, Rachel, “The Skid Stays in the Picture," ARTNews, November 2007.
Ruble, Casey, “Ingrid Calame at James Cohan," Art in America, November 2007.
Spears, Dorothy, “The Art of Ingrid Calame: A Speedway Palette," International Herald Tribune, October 29, 2007.
Spears, Dorothy, “Stop Your Engines! The Artist is Tracing," The New York Times, October 28, 2007.
Yau, John, “Ingrid Calame Constellations," The Brooklyn Rail, October 8, 2007.
Wolff, Rachel, “Vandalize This," New York, September 27, 2007.
Pink, Liz, “Ground Work," IN New York, September 2007.
Ayers, Robert, “What's in Your Studio, Ingrid Calame," ArtInfo, September 25, 2007.
“Ingrid Calame," The New Yorker, September 17, 2007.
Rosenberg, Karen, “Ingrid Calame," The New York Times, September 14, 2007.
Ryan, Dinah, “Landscape at the Limit," Art Papers, September/October 2007.
DiGusta, Linda and Mark Weiner, “Readiness is ALL," Resolve 40, September 5, 2007.
McGee, Celia, “Glitter Rocks," Elle Décor, September 2007. (color photos)
Cohen, David, “Art Starts on September 6," The New York Sun, August 31, 2007.
Drohojowska-Philp, Hunter, “Finally, Somebody," artnet, August 8, 2007.
Colman, David, “Ingrid Calame," Elle Décor, May 2007.
“Spielen mit Picasso," Maxi, January 11, 2007, p 12.
2006 Borkelmann, Gerd, “About Painting,” catalogue, pp1 – 5 (color photos).
Chien, Ginny, “The Playroom of Modern Art," New York Times, September 24, 2006.
Schor, Mira, “Some Note on Women and Abstraction and a Curious Case History: Alice Neel as a Great Abstract Painter," Differences, Summer 2006, (photo)
“No Limits, Just Edges: Jackson Pollock Paintings on Paper," Contemporary Artists on Pollock, The Sackler Center for Arts and Education, Guggenheim
Education Programs, Solomon R. Museum Foundation, Summer 2006.
Schaffner, Ingrid, “ICA Ramp Projects: Ingrid Calame, Tracing up to the L.A. River:Frog Town Turf War," brochure, Institute for Contemporary
Art, University of Pennsylvania, January 21 – March 26, 2006.
Sozanski, Edward J., “Softening up old physical formalism," The Philadelphia Inquirer, January 29, 2006.
2005 “EXTREME Abstraction,” (exhibition catalog), Albright-Knox Art Gallery,Buffalo, NY, pp. 74 & 94 (color photo).
“Contemporary Voice: The Contemporary American Art From Misumi Collection,” Tottori Prefectural Museum, Tottori, Japan, pp 38, 113 (color photos).
Hirsch, Faye, “Abstract Generations," Art in America, October 2005, No. 9,p.123-129, 191 (color photo).
Colpitt, Frances, “Dumb Painting: The End of Representation," Artlies, Number 47, Summer 2005, pp 14-19.
Maine, Stephen, “Ingrid Calame," art on paper, July/August 2005, Vol 9, No. 6, p. 67.
Gaasch, Cynnie, “Juicy Cool," Art Voice, July 21-27, 2005, Buffalo, NY, Vol 4,No. 29, p18.
“Vito Acconci, Ingrid Calame, Nam June Paik, Roxy Paine, and Hiraki Sawa," Flavorpill NYC, Art, June 14, 2005.
Knight, Christopher, “Composition From Decomposition," Around the Galleries, Los Angeles Times, June 10, 2005.
“Goings on Around Town; Ingrid Calame," The New Yorker, May 2, 2005.
2004 Engler, Martin, “The Street as a Puzzle or the Sea-pieces of Monsieur Bartlebooth" in Ingrid Calame, Mathilde ter Heijne, Jörg Wagner (exhibition
catalog), Kunstverien, Hannover, Hannover, Germany, July 2004, pp 9-72.
Moos, David, “Ingrid Calame: NYSE” in Ingrid Calame, Mathilde ter Heijne, Jörg Wagner (exhibition catalog), Kunstverien Hannover, Hannover, Germany, pp.
9-72 (color photos).
Frank, Peter, “Natural Wonders: A Look Beneath the Surface of a California Landscape Exhibit," Front Desk, 2004, p 110-111.
Moss, Karen, “A Curator’s Legend” in "Topographies" (exhibition catalog), San Francisco Art Institute and the Fellows for Contemporary Art,
San Francisco, CA.
Bitterli, Konrad, UBS Art Guide Hong Kong, UBS AG, Zurich (color photos).
Cohen, Edie, “Dealer’s Choice," Interior Design, Vol. 75, Number 10, New York, NY, August 2004. pp150-157.
Hutchinson, Linda, “Mapping Out Art," Pasadena Star-News, August 6, 2004.
Weichardt, Jürgen, “Beschwörung des Abwesenden," Nordwest-Zeitung, July 3, 2004.
Büsing, Nicole and Heiko Klass, “Puppe trifft Fleckenteufel," Nordsee-Zeitung, July 21, 2004.
Glanz, Alexandra, “Schattenräume aus Wirklichkeiten und Erinnerungen," Göttinger Tageblatt, July 17, 2004.
Zimmer, Klaus, “Spuren auf Bürgersteigen werden zu Kunst Leidvolles Selbstgespräch mit der Realität," Cellesche Zeitung, July 16, 2004, (photo).
Zimmer, Klaus, “Anspielungsreicher Parcours ins Unbekannte," Dewezet, July 13, 2004.
Glanz, Alexandra, “Konzept: Kunst," Hannoversche Allgemeine Zeitung, July 9, 2004.
Krajewski, Michael, “Köln: Ingrid Calame in der Galerie Rolf Ricke," Kunst-Bulletin, Vol 9, Luzerne, June, 2004. p 55
Baker, Kenneth, “Galleries: Topographies at SFAI," San Francisco Chronicle, May 1, 2004.
Behrens, Mary, “Painting at the Rose Art Museum," Art New England, February/March 2004, p. 10-13 (photo).
Nichols, Matthew Guy, “Ingrid Calame at James Cohan," Art in America, February 2004, p. 120.
Schwabsky, Barry, “Ingrid Calame at James Cohan Gallery," ArtForum, February 2004, p. 150.
2003 “Crosscurrents at Century’s End” (exhibition catalog), Neuberger Berman, New York, NY, pp. 8, 24-25 (coloR photos).
"Ingrid Calame: Secular Response 2 A.M." (exhibition catalog), Museum of Contemporary Art, Cleveland, OH.
Lutgens, Annelie, “Painting Pictures: Painting and Media in the Digital Age” (exhibition catalog), Kunstmuseum Wolfsburg, Wolfsburg, Germany, p. 15, color
photos: pp. 84, 116, 147, 175.
Platow, Raphaela, "Painting 4" (exhibition catalog), Rose Art Museum, Brandeis University, Waltham, MA (color photos).
Rizk Mysoon, “Ingrid Calame, Julian laVerdiere, Mark Lombardi," bridgemagazine.org.
Reeves, Jennifer, “Scavengers – Ingrid Calame and Joseph Cornell," nyartsmagazine.com, December 12, 2003, (color photo).
Moos, David, “Ingrid Calame: NYSE, Weaving the Streets Beneath Our Feet Into the Power Beyond Our Grasp," Art Papers, November/December 2003,
Temin, Christine, “In Three Exhibitions at the Rose, Statements in Nonconformity," Boston Sunday Glob, November 16, 2003.
Millis, Christopher, “Blooming Rose ‘Painting4’ at Brandeis," The Boston Phoenix, November 14,2003, cover & p. 12 (color photo).
Silver, Joanne, “Paintings Defy Tradition as They Go Off the Wall," Boston Herald, November 7, 2003.
Keddie, Victoria, “Ingrid Calame at James Cohan Gallery," The Brooklyn Rail, November, 2003, p. 12.
Johnson, Ken, “Ingrid Calame at James Cohan Gallery," The New York Times, October 24, 2003, p. E36.
Reed, John, “Ingrid Calame at James Cohan Gallery," Artforum.com, Critic’s Pick, New York, October 2003.
Desrochers, Donna, “Contemporary Painting Exhibit at the Rose Unites Artists from the U.S., Germany and Taiwan," The Brandeis Report, September 9,
October 13, 2003.
Anderson, Leslie, “Fourth-Degree Art," The Boston Globe, September 11, 2003.
2002 Barilli, Renato, “Le derive dell’arte," Officina America: RetrEmiliaRomagna (exhibition catalog), pp. 30, 46, 47 (color photos).
Pagel, David, “Once Removed From What?” (exhibition catalog), Abstract Art In The Late Twentieth Century, Cambridge University Press, Cambridge, UK
"We Love Painting – the Contemporary American Art from the Misumi Collection," Museum of Contemporary Art, (exhibition catalog), Misumi
Corporation, Tokyo, Japan, pp. 64-66, (color photos) 190, 207, 212.
Kuch, Kerstin, “besprechung farbe! Experimentelle malerei bei hausler contemporary," Artechock.de, June 5, 2002.
Molinari, Guido, “Officina americana," Flash Art, Milan, Italy, April-May 2002.
Frank, Peter, “Art Picks of the Week," LA Weekly, Los Angeles, CA, April 12-18, 2002.
Pagel, David, “A Specialist In Confidently Out-of-Whack Geometry," The Los Angeles Times, Los Angeles, CA, April 5, 2002, p. F17 (color photo).
“Dai Delitti Londinesi all’Officina dell’American Art," Abitare, April 3, 2002. (photo)
“Officina America," tema celeste, Milan, Italy, March 2002, pp. 88-89 Fiz, Alberto, “Creativita made in USA,” Italia Oggi, Italy, March 2, 2002, p. 19.
Vettese, Angela, “Oltre lo Staccato della Pittura si o Pittura No," Il Sole 24 Ore, Bologna, Italy, February 3, 2002, p.40.
Papi, Giancarlo, “L’officina America apre in Romagna," Spettacolo & Cultura, Ravenna, Italy, January 16, 2002, No. 15.
Naldi, Fabiola, ‘Interview with Renato Barilli,’ edge, Milan, Italy.
2001 “American Visionaries, Selections From the Whitney Museum of American Art," Whitney Museum of American Art, New York, NY.
Blasser Schimmer, "A Pale Gleam: Sammlung Mondstudio Collection" (catalog), pp. 24- 25.
Sobel, Dean, “Wall works: Ingrid Calame and Paul Morrison” (exhibition catalog), Aspen Art Museum, Aspen, CO, June 1-July 29, 2001, (color photo).
Savaris, Marta, “Ingrid Calame-review," Flash Art, Milan, Italy, December 2001- January 2001, pp. 96-97 (photo).
Kimmelman, Michael, “In a Cheerful Groove...,” The New York Times, December 28, 2001, pp. E41, E43.
Roos, Von Renate, "Gelenkter Zufall," Stadtanzeiger, Cologne, Germany, July 6, 2001.
Williams, Alena, "Ingrid Calame at Karyn Lovegrove Gallery – review," tema celeste, Milan, Italy, January-February, 2001, p. 96 (color photo).
Kakanias, Konstantin, “...as Ingrid Calame," Her Hollywood Years: Part 1, works on paper, Los Angeles, CA, p. 15.
2000 Anderson, Maxwell, "2000 Biennial Exhibition," WHITNEY BIENNIAL 2000 (exhibition catalog), Whitney Museum of American Art, New York, NY, pp. 70-71.
Fiedler, Andreas, "The Distracted Eye," Der Abgelenkte Blick Malerei (exhibition catalog), Helmhaus Zurich, Zurich, Switzerland, pp. 84-5.
Lienhard, Marie- Louise, "There is No Such Thing as the Innocent Eye," Der Abgelenkte Blick Malerei (exhibition catalog), Helmhaus Zurich, Zurich,
Switzerland, p. 82.
Pagel, David, "Themes Out of School: Art & Education In Los Angeles," (catalog), The CAA Foundation, Los Angeles, CA, p. 34.
Glee (exhibition catalog), Aldrich Museum of Art, Ridgefield, Connecticut.
Body of Painting – Gunter Umberg with Pictures from Cologne-based Collections (exhibition catalog), Musem Ludwig Koln, Cologne, Germany, p. 160.
Hainley, Bruce, "Ingrid Calame, Karyn Lovegrove Gallery," Artforum, New York, NY, Vol. XXXIX, No. 4, December, 2000, p. 151 (photo).
Dailey, Meghan, "Review – Glee: Painting Now," Artforum, New York, NY, December, 2000, pp. 149-50.
Harvey, Doug, “Godawfulism," LA Weekly, Los Angeles, CA, Vol. 22, No. 51, November 10-16, 2000, pp. 51-52, (photo).
Zinsser, John, "Painter's Journal," artnet.com, New York, NY, November 11, 2000.
Frank, Peter, "Art Picks of the Week," LA Weekly, Los Angeles, CA, September 22-28, 2000, p. C122.
Luke, Megan, "Two New Aldrich Museum Exhibits Showcase New and Traditional Media," Press, Ridgefield, CT, September 21, 2000.
Stockwell, Craig, "Glee: Painting Now at the Aldrich Museum of Contemporary Art," Art New England (photo).
Colman, David, "The Wonderful Wizard of Art," Bazaar, New York, NY, September,2000, pp. 537-38, 550-53.
Wollheim, Richard, “A Letter from Carolina," Modern Painters, London, UK, Autumn 2000, vol. 13, no. 3.
Koerver, Jens Peter, "New Painting - der Stand der Bilder," Frame, Vienna, Austria, Vol. 3, July/August, 2000
Danto, Arthur, "Art of the Free and the Brave," The Nation, New York, NY, May 8, 2000, pp. 45-49.
Viveros-Faune, Christian, “Fabstraction," New York Press, April 26–May 2, 2000, Section Two, p. 5.
Schjeldahl, Peter, "Pragmatic Hedonism," The New Yorker, April 3, 2000, pp. 94-95.
Stevens, Mark, “Whitney Biennial," newyorkmetro.com, April 3, 2000, (color photos).
Pincus, Robert L., "Biennial is a perennial that's worth cultivating," The San Diego Union-Tribune, April 2, 2000.
Siegel, Katy, "The Long List," Artforum, Vol. XXXVIII, No. 5, January, 2000, p. 32.
Beatrice, Luca, "Sogni Iperpop," Arte, Milan, Italy, No. 305, January, 2000, pp. 104-111 (cover & color photos).
Marriner, Robin, "LA Law," Contemporary Visual Arts, New York, NY, Issue 32, pp. 36-41 (color photo).
Omlin, Sibyll and Beat Wismer, “Metonymischer Zugang Zur Malerei," Das Gadächtnis Der Malerei, Aargauer Kunsthaus, Aarau, Walther König, Cologne,
Germany, pp. 388-389, 418-419, 426 (color photos).
Schwendener, Martha, “Ingrid Calame," Time Out, New York, NY (photo) .
1999 Beatrice, Luca, "Facts and Fictions," Facts and Fictions (exhibition catalog), Castelvecchi Arte, Turin, Italy, (color photos).
Buisch, Derrick and Colleen Mullins, "Color Theory" (exhibition catalog), College of Visual Arts Gallery, Saint Paul, MN, April 9, p. 1 (color photo).
Butler, Cornelia H., "Ends and Means, Afterimage: Drawing Through Process" (exhibition catalog), Museum of Contemporary Art Los Angeles, CA, p. 104.
Calame, Ingrid, "Metonymic Approaches to Painting" in "Colour Me Blind! Malerei in Zeiten von Computergame und Comic" (exhibition catalog),
Württembergischer Kunstverein, Stuttgart, Germany, pp. 34-39
Christofori, Ralf, "Blind Copy 2: Colour Me Blind!, Malerei in Zeiten von Computergame und Comic" (exhibition catalog), Württembergischer Kunstverein,
Stuttgart, Germany, pp. 28-9.
DiMeo Calozzi, Annette, "Negotiating the Truth in Painting: Negotiating Small Truths," Jack S. Blanton Museum of Art, Austin, TX, pp. 17-18, 27-31
Min, Susette S., The Mourning After: art of loss (exhibition catalog), City of Los Angeles Cultural Affairs Department, Los Angeles, CA, March 1999.
Moos, David, "Hallucinated Closeness," Postmark, An Abstract Effect (exhibition catalog), SITE Sante Fe, Santa Fe, NM, pp. 23 - 27.
Pagel, David, "Facts and Fictions II: Los Angeles," Facts and Fictions (exhibition catalog), Castelvecchi Arte, Turin, Italy, (color photos).
Pagel, David, "Beauty Smarts," Color Volume (exhibition catalogue), Kunsthallen Brandts Klædefabrik, Odense, Denmark, pp. 18, 26-31 (color photos).
Rinder, Lawrence, twistfoldlayerflake (exhibition catalogue), California College of Arts and Crafts Institute, Oakland, CA, January (color photo).
Koerver, Von Jens Peter, "Die Großstadt ist auch nur ein Allerweltsort," Kölner Stadt-Anzeiger, Köln, Germany, No. 294, December 16, 1999, (photo).
Hickey, Dave, "Best of the '90's," Artforum, New York, NY, Vol. XXXVIII, No. 4, December 1999, pp. 112-3 (color photo).
Lillemose, Jacob, "Farvernes Verden," Morgenposten Fyens Stiftstidende, Odense, Denmark, November 4, 1999.
Burkard, Lene, "Farve Volumen: Nyt Maleri Danmark og USA," BLINKFANG, Odense, Denmark, November, 1999, p. 14
Melrod, George, "Young at Art," Los Angeles Magazine, November 1999, p. 10
Hoffmann, Gabriele, "Die Farben der Zunkunft," Stuttgarter Zeitung, Stuttgart, Germany, October 15, 1999, p. 3b.
Knight, Christopher, “Brushstrokes of Genius," robreport.com, June 1999.
Scarborough, James, "Ingrid Calame," Art & Text, Los Angeles, CA, No. 66, Summer 1999, pp. 6 - 7, (photo).
Pagel, David, "Spills and Chills," The Los Angeles Times, April 12, 1999, p. F28.
Hess, Barbara, "Ingrid Calame at Rolf Ricke," Flash Art, Milan, Italy, Vol. XXXII, No. 204, January/February 1999, pp.101-2.
Burkard, Lene, "Farve Volumen," Blikfang, No. 5, Kunsthallen Brandts Klædefabrik, Odense, Denmark, November 1999, pp 14-19 (color photo).
Guenther, Bruce, "A Certain Pleasure," 1999 Biennial, Orange County Museum of Art, Orange, CA, pp. 11-12, 24,25 (color photo).
M. S., "Calame. Le Macchie dell'Universo," Arte e Mercato, Italy, p. 193 (photo).
1998 Calame, Ingrid, "Statement" in "Abstract Painting Once Removed" (exhibition catalog), Contemporary Arts Museum Houston, Houston, TX, pp. 50-51
Friis-Hansen, Dana, "Ingrid Calame" in "Abstract Painting Once Removed" (exhibition catalog), Contemporary Arts Museum, Houston, TX.
Schjeldahl, Peter, "The Rise of Abstraction II" in "Abstract Painting Once Removed" (exhibition catalog), Contemporary Arts Museum Houston, Houston,
TX, pp. 34-37 (photo).
Roo, "Malen nach Formen," Kölner Stadt-Anzeiger, Cologne, Germany, No. 282, December 3, 1998, p. 44.
Krajewski, Michael, "Ingrid Calame in der Galerie Rolf Ricke," Kunst Bulletin, Cologne, Germany, December 1998, p. 39 (photo).
Dewan, Shaila, "What's So Great About Painting," Houston Press, October 29-November 4, 1998, p. 59-60 (photo).
Johnson, Patricia C., "Abstract Artists Redraw Boundaries of Painting," Houston Chronicle, October 7, 1998, pp. 1D, 3D (photo).
Pagel, David, "Abstract Views," The Los Angeles Times, August 28, 1998, p. 26.
Pagel, David, "Color Them Retro," The Los Angeles Times, August 16, 1998.
Cotter, Holland, "Painting From Another Planet," The New York Times, July 24, 1998, p. E39.
Schjeldahl, Peter, "Ultraloungerie," The Village Voice, New York, NY, Vol. XLIII, No. 25, June 23, 1998.
Schwendener, Martha, "Planet Hollywood," Time Out, New York, NY, June 1998.
Pagel, David, "Visual Stimulation in L.A.," Flash Art, Milan, Italy, Vol. XXXI, No. 201, Summer 1998, pp. 118-9 (photo).
Hoffmann-Sewera, Kathi, "Orte und Gegenstände," Graz, Austria, February 20, 1998, p. 102 (photo).
Ertl, Barbara, "Hollywood-Träume," Kronen Zeitung, Graz, Austria, February 17, 1998, p. 21.
Nigelhell, Franz, "Kulturindustrie und Grazer Verhältnisse," Neue Zeit, Graz, Austria, February 7, 1998, p. 43.
Calame, Ingrid, "Statement," Selections Winter '98, The Drawing Center, New York, NY, January 1998, (photo).
Henle, Susanne, "Aussschnitte aus Endlosen Strturen," Frankfurter Allgemeine Zeitung, Frankfurt, Germany.
1997 Pagel, David, "Spot Making Sense" (exhibition catalogue), Grand Arts, Kansas City, MO, 1997 (color photo).
Hickey, Dave, "Top Ten x 12, The Year in Review," Artforum, New York, NY, Vol. XXXVI, No. 4, December, 1997, p. 87.
Pagel, David, Art Review: "Landmasses," Los Angeles Times, Los Angeles, CA, Friday, September 12, 1997, p F24.
Best, Sherry L., "Sensibility or Sense?" The Pitch, Kansas City, MO, July 11, 1997.
"Fin de Siecle Painting: BothSides Now, Painters Under 30 and Over 50," Artweek, San Jose, CA, Vol. 28, No. 9, September 1997, p. 19 (photo).
Pagel, David, "Shifting Images," Los Angeles Times, Los Angeles, CA, Friday, June 20, 1997, p F23.
Pagel, David, "Editor's Choice: Art," BOMB, New York, NY, Spring 1997, p 17 (photo).
1996 Crowley, Matthew, "Cartoons More Than Buffoonery," Las Vegas Times, December 4, 1996, p. 5AA.
Wharton, David, "Cal Arts Music Video Hits the Right Notes," The Los Angeles Times, Valley Edition, January 10, 1996, p. F2.
1995 "Art Pick," Boston Phoenix, Boston, MA, October 24, 1996, p 36 (photo).
1994 Greenstein, M.A., “Entering the Professional Art Market Without an MFA," Artweek, San Jose, CA, Vol. 25, No. 9, May 1994.
Media Bibliography
2016 "Metro Art: Ingrid Calame", Metro Art, Los Angeles, CA
2014 “Ingrid Calame,” Savannah College of Art and Design, Savannah, GA
2012 “In The Factory, Ingrid Calame,” Indianapolis Museum of Art, Indianapolis, IN
2011 “Ingrid Calame at The Fruitmarket Gallery,” Fruitmarket Gallery, Edinburgh, Scotland
2010 “The Making of ‘Perry Street Projects Wading Pool, Buffalo, New York, #2,’” Monterey Museum of Art
2009 “Ingrid Calame AIR AKAG 2009,” Albright Knox Art Gallery, Buffalo, NY (video)
“Ingrid Calame: Step on a Crack, Break Your Mother’s Back,” Frith Street Gallery, London, UK (video)
2008 “Ingrid Calame,” Particle Productions, James Cohan Gallery, New York, NY
“Director’s Journal, featuring the work of Ingrid Calame – Indianapolis Museum of Art,” Indianapolis Museum of Art, Indianapolis, IN
2002 “Art Clips: Ingrid Calame,” Bal, Mieke, 2002 (video)
Honors and Awards
2015 Artist-in-Residence, Zollverein World Heritage Site, Essen, Germany
2014 Artist-in-Residence, Savannah College of Art and Design, Lacoste, France
2008 Artist-in-Residence, Albright-Knox Art Gallery, Buffalo, NY
2007 Rockefeller Foundation Bellagio Center Artist Residency, Lake Como, Italy (declined)
2000 Triangle Workshop 2000, New York, NY
1999 City of Los Angeles Individual Artist Fellowship Award, Cultural Affairs Department, Los Angeles, CA
1992-6 Jacob K. Javits Fellowship, United States Department of Education, Washington, D.C.
1996 Grammy Nominee, Music Video Long Form, National Academy of Recording Arts and Sciences, Los Angeles, CA
19 95 Boone Family Trust Grant, California Institute of the Arts, Valencia, CA
Skowhegan Matching Fellowship, Skowhegan & Cal Arts, Skowhegan, ME
Sony Music Video Grant, Sony Music, Los Angeles, CA
1994 Eastman Kodak Product Grant, Eastman Kodak Co., Los Angeles, CA.
Dorland Artist Colony, Temecula, CA
1990 Millay Colony for the Arts, Austerlitz, NY
1989 Vermont Studio Colony, Johnson, VT
1988 Cummington Community of the Arts, Cummington, MA
Selected Public Collections
Albright Knox Art Gallery, Buffalo, NY
American Express, New York, NY
AXA, Cologne, Germany American Express, New York, NY
Brookfield Corporate Collection, New York, NY
Creative Artists Agency, Los Angeles, CA
Fruitmarket Gallery, Edinburgh, Scotland
Indianapolis Museum of Art, Indianapolis, IN
Jumex Foundation, Mexico City, Mexico
Kemper Museum of Contemporary Art, Kansas City, MO
Kunstmuseum St. Gallen, St. Gallen, Switzerland
Los Angeles Museum of Contemporary Art, Los Angeles, CA
Miami Art Museum, Miami, FL
Michael and Judy Ovitz Collection, Santa Monica, CA
Misumi Collection, Tokyo, Japan
Museum of Fine Arts Houston, Houston, TX
Museum of Modern Art, New York, NY
National Art Gallery, Bangkok, Thailand
Neuberger Berman, LLC, New York, NY
New York City Department of Cultural Affairs, New York, NY
Progressive Corporation, Mayfield Village, OH
Sammlung-Goetz Collection, Munich, Germany
Skadden, Arps, Slate, Meagher & Flom LLP SunAmerica - Eli Broad Foundation, Santa Monica, CA
SunAmerica - Eli Broad Foundation, Santa Monica, CA
United Bank of Switzerland Hong Kong, Central, Hong Kong
Utah Museum of Fine Arts, Salt Lake Cty, UT
Weatherspoon Art Museum, Greensboro, NC
Whitney Museum of American Art, New York, NY